Two Reel Cinema Club

Fast Funny Five: Popcorn Counter

Success is hard to measure in life, but easy to measure in comedy: does it make you laugh or not? After enduring Spinal Tap II last week we’re returning to some of our favourite comedies at the popcorn counter. But what is in our top five, and do we have any overlaps? How does Justin Trudeau fit in to all this? Are popstars funny? Where did we go for Andrew Curtis’ birthday party? And is there a connection between being funny and being objectionable?
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Spinal Tap II vs This is Spinal Tap: Taps

For those about to rock, we salute you this week, as we put on our poodle wigs and tune up our Gibsons to watch the new comedy feature Spinal Tap II: The End Continues and compare it to the film that started it all, 1984’s This Is Spinal Tap. Is the old film still funny? Does the new film live up to its predecessor? Which film sets up gags it never pays off? Which film has the cleverest cameos? And which film made us think of a martial arts movie?
Plus an early Halloween treat from 2017, a Hollywood spoof with Seth Rogan, an amusing brush with cryptocurrency, Stephen King’s best book, echoes of Bill and Ted, another look back at Don’t Look Back, and an Eric Idle film from the 1970s. Rock on!
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Noir: Popcorn Counter

Join us as we sit in the darkness at the popcorn counter this week and muse on why Noir seems to be the second most enduring genre in all of cinema. After jiggling our brains a little, we think we can come up with a significant noir film from every decade of the last ninety years. But have we ever tried to write a noir project? And how do noir mysteries trace their origins to bible stories...?
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Honey Don't vs The Big Sleep: Honey Don't Sleep

We don’t know why a detective for hire is called a private dick, but we’ve certainly seen plenty of sexy investigators this week. We have watched the new Ethan Coen 'lesbian B-movie' Honey Don’t, starring Margaret Qualley and Aubrey Plaza, and we’re comparing it to Howard Hawks’ 1946 film noir that it tips its hat to, The Big Sleep with Humphrey Bogart and Lauren Bacall. Two gumshoes, two sets of murders, two seductive mysteries and two steamy romances. But which of these do we consider the most sexually charged film of all time? Which film is fifteen minutes too long, and which is fifteen minutes too short? Which film is 70% of the way there? Which film is hoping to flip your expectations? What did The Big Sleep change when compared to Raymond Chandler’s original book? And who did we leave the cinema wishing we were?
Plus a video game made for four hands, some long scenes from Spielberg, a journey through the labyrinth of immigration, a trip to France with the Cliche Squad, and one of the greatest screen writing teams of all time. Just remember, we’re not enjoying watching these sex scenes. It’s our job.
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Michael Douglas and the Nepo Bros: Popcorn Counter

Are there are any nepo-babies in the mainstream film industry? Perhaps we should be asking if there are any successful people who aren’t? We started making a list sitting at the popcorn counter this week and soon ran out of ink. But out of all the nepo-babies that we’ve seen at the movies over the last few years, why is Michael Douglas our most admired? We look back at his career and ask how he managed to consistently choose zeitgeist projects for more than thirty years. And out of all these timely pictures, which is our favourite?
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

The Roses vs The War of the Roses: Thorny Roses

We seem to be stuck in a loop reviewing films called ‘War of the Something’, because this week we’ve watched the new Olivia Coleman Benedict Cumberbatch comedy The Roses, and we’re comparing it to the Kathleen Turner Michael Douglas version of the same story, 1989’s The War of the Roses. Two divorces, two fighting couples, two ruined houses. But which one of these films wants to be Who’s Afraid of Virginia Woolf and which one wants to be Home Alone? Which character has nothing to do? Why does Michael Douglas love the rain? And how do they both compare to the original source novel from 1981?
Plus a documentary about rocks, a return visit to a lost ark, some huge flowers, a Simpson’s tongue twister, a cardinal sin among comedians, a subtly optimistic lecture from Robert Reich, a box of ‘thank-you’ chocolates and a fridge full of deadly raspberries.
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Fears of a Clown: Popcorn Counter

We’re dressed as clowns at the Popcorn Counter this week, as we talk about the crossover between comedy and horror. Why did so many of the most successful contemporary horror directors, including Zach Cregger, Jordan Peele and John Krasinski, get their start in comedy? What are the differences between the two forms, and how are they more similar than you might think? And what’s the single most horrifying thing to a writer?
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com

Weapons vs The City of Lost Children: Won't Somebody Think of the Children?

Weapons is our new film this week, the sophomore feature from sometime sketch comedian Zack Cregger. It may have a great cast, a great premise and some great scares, but can it stick the landing? We’re comparing it to a film from 1995 that shares its premise and a lot more besides, The City of Lost Children. But which one is best described as Lynchian? Which one is stacked with zany action? Which one looks like a CD-ROM video game? And which one is about so many different themes that’s it’s almost about nothing?
Plus, we watch Selena Gomez and Steve Martin in a New York podcast caper, we singlong to a Netflix K-Pop hit, we ask what a roustabout is, we wonder what happened to the pictures of missing children on milk cartons, and we try to define what ‘brassy’ means.
If you enjoyed the show, find us on social media:
BlueSky: @tworeelcinemaclub
Instagram: @tworeelcinemaclub
Contact us at tworeelcinemaclub@gmail.com
Or come to our website, where we’ll be writing about the movies we cover in the show and a few more things besides: https://tworeelcinemaclub.com